Painting the Sun
In the opening remarks I describe in detail my artistic analysis of the
title Painting the Sun. However, the origin of this title was
derived from a seemingly random and humorous experience.
During early spring,
on one of the daily walks I enjoy taking in my neighborhood, I strolled
past the park near my home, all the while facing the warming sun. This
was very pleasurable and started me to think of titles having to do with
the sun. A dozen or so average ideas came to mind and then I dropped the
notion. Suddenly, I was compelled to take a street I had not traveled on
before. Half way down the block I looked up at a house and noticed its
Victorian gable ornament attached to the eave where the roof came to a
peak. It was a sunburst pattern; the rays brightly painted in different
colors. I smiled and then surprisingly blurted out loud, "painting the
sun!" I had no idea in that moment what it really meant, but I loved
the sound of it right away. As I continued my walk, the deeper artistic
meanings flooded my mind and I laughed to myself at how the title had
come about. You just never know when or where the muse will strike!
Spanish Blue
This was the
last piece composed for this recording and it brought to mind the
wonderful countless memories I have of touring Spain. To my ear, the
improvisational nature of the right hand phrasing is faintly reminiscent
of Spanish classical guitar flourishes. And the overall sweet melancholy
of this piece for me is Spanish Blue indeed.
The
Enchantment
Often times, a working title is given to a piece that has just been
written. As I sat and composed this waltz at the piano, I noticed out
the window a young couple stroll by our home with their young child.
They had just moved across the street into an old blue house and I
seized that image immediately naming this "The Blue House Waltz." After
recording and then in frequent listening, I found myself drifting into a
slightly altered state as this song played. This is now one of my all
time favorites, and I hope you feel this same sense of enchantment as
you listen.
Her
Solitude
Upon
hearing this song shortly after I composed it, my mother, who was
visiting with us for the day, knowing that I had not yet named it,
remarked that "solitude" would be a fitting title. I took my mother's
comment to heart and this song, and its title, is now dedicated to her.
First
Snow
This
piece (which I must thank my brother Gary for naming) seems the perfect
title, for it does bring to mind the peaceful feeling one gets as pure
white snow gently drifts from the sky, and blankets the world for the
first time in the winter season.
Turn
Turn Turn
(to
everything there is a season)
I often
come up with dozens of working titles for my CDs as well. One of these
early titles was "A Time of Peace", which is also a line from a hit song
I first heard as a teenager performed by the band The Byrds back in
1965. Turn Turn Turn was composed and performed originally by the
great folk artist, Pete Seeger, with the lyric being based on the King
James version of the Bible. (Ecclesiastes 3, verses 1 - 8). The
love I have of this song inspired me to do my own arrangement and the
lyric still rings true to me today, especially the line, "A time for
peace . . . I swear its not too late."
Hymn
The
simple movement and stately theme of this composition brought back
memories of old time hymns I had heard as a child. Hymns are defined as
songs of praise and this piece, I feel, is most certainly spiritual in
nature, but not specifically religious. The aspect of the divine and or
the object of the praise here are left up to each listener.
SANCTUARY
ROSE
rondo in g minor
evening song
As our life unfolds, we will
eventually hear the song of our soul. It sings of our purpose and of the
gifts we've been given to share. The soul is always singing . . . we
need only listen.
midnight reverie
A willingness to explore and embrace our spiritual nature may open us to
new insights, sudden flashes of enlightenment, and a heightened sense of
clear inner vision. At times, these gifts and revelations are also
seemingly thrust upon us, but always, they are there to guide and
encourage us to look for the true meaning in life.
daybreak flower
Now the heart begins to open to its true divine nature. These insights
and moments of enlightenment are moving us ever forward on the soul's
journey home. In our heart of hearts . . . a flower blooms.(rondo
- a compositional form where the first and third musical sections
are the same, with the second theme, being somewhat different.)
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Sleeping Dove
(Salish Lullaby)
I was
given the honor of arranging the melody of this Salish lullaby into a
solo piano piece first appearing on the CD Heart Of The Bitterroot*,
telling the touching and powerful stories of four Salish and Pend
d'Oreille Indian woman. Executive producer for this project, Julie
Cajune, said that one of the last Salish men to play the flute, Jerome
Vanderburg, first learned this lullaby from his father, who is said to
have learned it from wild doves. Here, I dedicate this song to my friend
Julie, to the generations of Salish and Pend d'Oreille woman who have
come before, and to "women of good heart" everywhere.
*more
information on The Heart Of The Bitterroot available at
http://www.npustin.org
**Download complete
liner notes,
click here.
***To listen to
soundclips, click here.
****To
read a review, click here.
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