CRISTOFORI'S DREAM
David's best selling album
Nearly Platinum!

A specially remastered collectors' edition with the bonus live performance of Madre de la Tierra.

In 1709 in Florence, Italy, a harpsichord builder named Bartolomeo Cristofori completed work on what is regarded as the first piano. He replaced the harpsichord's plucking mechanism with a hammer action that allowed keys to respond to varying degrees of pressure, resulting in a sound that could range from soft to loud. He further refined the instrument in 1726, installing knobs at both ends of the keyboard which became a forerunner to the soft pedal. Cristofori's work elicited little notice in his home country, where opera dominated public interest, and he died without fanfare at the age of 76 in 1731.

"I cannot imagine the world without the piano. In my mind, it is the most divinely inspired instrument on earth, and Cristofori's work produced quantum-leap advance in its development. For the first piece on this album, I imagined Cristofori in his workshop late at night, putting away his tools and blowing out his candles after a long day of work, wondering to himself how his new instrument might sound. He drifts off into a deep sleep and in a dream he finally hears the depth and beauty of our modern piano. We all owe Cristofori a debt of gratitude, and this album is dedicated to him, a great inventor whom history has overlooked. May his 'dream' live forever." - David Lanz

TRACK LISTING:  


Cristofori's Dream

Spiral Dance

Green Into Gold

Wings To Altair

Summer's Child
 
Free Fall

A Whiter Shade Of Pale

Madre de la Tierra

 


Reviews of Cristofori's Dream

 Cristofori's Dream

Once in a while an album reveals the existence of a pure love affair between an artist and his instrument. Cristofori's Dream is just such an album! Drawing upon the inspiration of Bartolomeo Cristofori, the 17th century genius who invented and perfected the first piano, David Lanz has meticulously crafted seven compositions into a recording that can only be described as "totally elegant." Although David's six previous albums on the Narada label have been critically acclaimed, and his recording of Natural States with Paul Speer soared on the record charts for most of 1987, I believe that Cristofori's Dream is his finest effort to date.

Throughout each composition, David adds embellishments of string and woodwind instruments, as well as guitar and bass in the forefront. The prominence of Lanz's piano is made immediately evident from the opening bars of the title track, which inaugurates this album. "Cristofori's Dream" is played with an understated, music-box quality, but is augmented by marvelous sonics which seem to actually place the listener in the center of a large concert hall with the performer on stage, immersed in his music. As the main theme of the composition progresses, hits of violins and cellos gently fade in and out, and create a beautiful waltz-like tribute to the memory of Cristofori.

The final cut of the album, however, really touched me with its ability to awaken memories of a special era that has long since passed. As a tasteful closing to well-crafted album, the composer presents a haunting version of "Whiter Shade of Pale," the 1967 hit song by Procol Harum. Even though Lanz employs the aid of Mathew Fisher, Procol Harums's keyboardist, to recreate the original organ passage, his variation comes across as being fresh and vibrant with just a hint of blues but a lot of honest emotion.

With each playing of this collection, I found myself becoming more absorbed into the beauty and serenity of David Lanz's music. His style is so polished yet so genuinely unpretentious that is seems to appeal even to staunch critics who do not usually buy piano albums. But to those of us who enjoy the pristine sound of the grand piano, Cristofori's Dream is indeed a dream come true. New Frontier, November 1988
 

Cristofori's Dream

Dedicated to Bartolomeo Cristofori, the inventor of the piano (1655-1731), Lanz performs some of his best work to date, starting with the album's title track, a feeling composition that portrays the beauty and dynamics of the acoustic piano; Cristofori, wherever he may be in the Universe, is paid the highest homage and his invention is played lovingly by this contemporary piano virtuoso. Lanz composed six of the seven cuts on the album, with the last track being a reincarnation of Procol Harem's A Whiter Shade of Pale with the original group's own Matthew Fisher playing the Hammond B3 Organ. This album is a masterwork and it deserves the #1 slot it earned on Billboard's New Age Chart. Treat yourself to it! Tom Benford, New Jersey Harold, November 1988